Відео

1:01:07 自分用

Лиля... некоторое недоумение

Where and when was this concert?

In the original broadcast, there is no high D, but C - sharp instead.

This is a most beautiful and musical performance. There is a fine ebb and flow and the conductor and orchestra are superb.

A very wonderful interpretation and technique! She's a fantastic woman, interpreter and teacher!!

Way too fast!

Professional beauty

A really wonderful performance . I have never the second movement played with such musicality and nobility! For me a great artist!

WOW 🤩 AMAZING 😀

Remarkably!

Great performance. In terms of electronics, was anything else done besides playing the fixed media?

🥺❤ INCREDIBLE.

sodelicious................

Beautifully done

Hallo aus Berlin. Jetzt koennen Sie wieder offline spielen und ich hoffe, Sie bald hier zu hoeren. Diese Aufnahme ist gelungen. Danke sehr.

❤❤❤

I remember seeing Rysanek in this opposite Peter Hoffman, who in 1951 was about seven. Unfortunately by 1986 he sounded older than LR. A sad business, opera.

Mischa's string broke but he kept playing till the end

Chopin's first piano sonata is AN incredibile masterwork like the other two sonatas.

Gänsehaut und feuchte Augen bekomme ich bei dieser phänomenalen Stimme. Ihre Aida trotzte natürlich vor Kraft. Keine andere Sopranistin konnte es mit ihr aufnehmen und schon garnicht heutzutage.

I saw this in Vienna in 1975. It was magical. Böhm conducting of course.

My fav Rach2 has always been Berlin Philharmonic with Lilya Zilberstein. I consider it the best and the model recording of Rach 2 personally. In this clip, i get to see how Lilya plays live, and it is amazing. Though not exactly the same, the melody at 26:58 is my favourite out of all the "popular" pianists out there. The speed, tone, and feel is perfect!

この「サロメ」でやっと楽劇の有り様がわかりました。器楽に飲み込まれる声楽では器楽重視の声楽のようでしたが、この被ってくる器楽をクリアなトーンで撃ち抜く声が不可欠なのですね。有難うございました。

1:25:56 it is so exciting that it becomes painful

I rated Valentina Lisitsa as the most masterful performer until I listened to Lilya Zilberstein here. She's her equal.

I have arrived here after listening to a YT video of 30 different pianists playing the same difficult coda/cadenza in this piece of music (at the 45:10 mark). I was startled by how different this lady's treatment of the coda is from all the others: she stands head and shoulders above the rest. The reason is not hard to discern: unlike all the others you can hear every individual note in the coda. A composer's musical notes are his or her children, and all the exponents of the music should lift up every note of their performances to give them equal importance. Upon listening to Lilya's crystalline rendition of this whole concerto I am not disappointed. Each note sings with a beauty of its own, yet in harmony with the rest. This will henceforth be the only artist whose sensitive and sympathetic interpretation of the composition I will listen to.

WHERE are the MEN?!?! It's ALL WOMEN!!! EWW!

49:23 💯💯💯

This is my favorite version of course!!!!! The beauty of the harmony between the two pianists is incredible!!!!

WOW. Incredibly charged is right! There was some small messiness here and there, but who cares? (And this is a rehearsal...)

51:01 ここからの音、ここまでハッキリ弾く人初めて見た

Why did that one gal only get the flowers?

Mindblowing

Sublime!! Thank you so much for this wonderful performance!!

一緒に合わせることが凄いです

I like how you use the pedal.

Un peu beaucoup d admiration pour ces dames

❤️🤸💋🐛🍓

Dommage le son moyen , sinon … trop bien

Sara Davis Buechner plays this amazingly as well.

Da-me arrepios nos tímpanos, de programa no canal (início da década de 60) show da Kibon, eu tinha 8 anos.

I was frustrated because I was classified as a soprano (I felt like I wasn't good enough) but now I'm even more frustrated because I'll never be able to reach 1% of her talent. Might as well just be happy to breath the same air as her.

せっかくの素晴らしい曲を台無しにする演奏にうんざりした 最近は、こんな演奏ばかりで嫌になる とにかくテンポを上げ、曲の素晴らしさよりテクニック！テクニック！最悪だ

Замечательное переложение. Вот только нигде нот не могу найти(((

I wish this whole piece was on CD or DVD... I am desperately looking for this recording since more years.

Sara Davis Buechner is the only one who matches Martha’s excitement in this music!

Entrambe eccezionali! Molto bella la trascrizione.

Even at 69 years old, Beirer's voice is still powerful and has so many overtones.

I was only nervous for the page-turners.